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This Taiwanese folk song is about the dripping "diu diu" sound that passengers would hear as they rode the old locomotives through the Fulong Old Caoling railway tunnel on their journey to the seaside. The

Using one version of the text and adding some elements of the traditional song, this adaptation of the American folk play party song is even more fun in the choral version with changing tempos and unison

If you're looking for something a little different to perform in the spiritual style, take a close look at this nicely rhythmic setting by Greg Gilpin. Interlocking vocals sing over a pulsating piano

Text from Zephaniah 3:17 and accompanied by piano and oboe. This piece was commissioned and performed by the North Texas Metroplex Children's Choir.

A song of hope and promise, the simple melodic idea begins in an opening baritone solo before being picked up by the sopranos and altos. This melodic idea continues to be shared freely throughout the piece.

An a cappella, accessible, and homophonic setting of this lively American folk song. Describing a journey of workboats in the Great Lakes region, this arrangement lends itself well to cross-curricular

Using the tune and text "Ridin' in a buggy, Miss Mary Jane, I'm a long way from home" from the old American folk song, this arrangement gives younger choirs the ability to experience the fun and frivolity

A thoroughly delightful calypso number which can easily be enhanced by the addition of conga, maracas and/or claves (suggested rhythms are included in the performance notes). This is pure fun for three-part

The text from Eugene Field begins as a beautiful lullaby that quickly moves to a fantasy dream. Several vocal techniques create an imaginative soundscape before returning to the lullaby theme. Engaging for

Nonsense syllables, notated body percussion and a jovial piano part all come together to make this silly song that is said to be "the very best medicine" for an achy heart. You can't help but smile